Throughout transition, I’ve often thought of my body as a poem––one whose semantics is a web of social relations I can’t quite parse, that no one can fully parse. More than a “receptacle,” my trans body necessarily relies on the creation of new subjective semantics.
Poet francine j. harris and artist Devin Kenny explore how technology affects language, how they go about the processes of investigating their own work, and who their mentors are–as well as how they themselves have mentored others.
In a blog series for Ploughshares, I ask a poet and a non-poet the same questions. This month, I interviewed poet and theorist Fred Moten and avant-electronic producer, Elysia Crampton on history, fiction, embodiment, and the concept of equality.
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