A new collection of Italo Calvino’s nonfiction provides the reader with a deep sense of the range of Calvino’s interests and his open-minded approach to what constitutes art, as well as the pleasure it incites in him.
There’s a special delight in Jana Prikryl’s concentration about what is outside her window, the changes from season to season, the repetitions, and what is rooted and roots us, if we allow it to do so. It’s both a poetic act, and a necessary one, especially in our fragmented times.
Rojas Contreras’s memoir intertwines family relationships and legacies, political conflicts and oppressions, and the expansive realm of healing, identity, and magic into a magnificent, mesmerizing memoir.
Solmaz Sharif’s language is spare and all the more sharp for what remains. Her poems explore “withoutness” in one’s history, and it’s through that withoutness that this collection takes shape, revealing an enormity of presence, of emotion, and of meaning.
In Saša Stanišić’s impressive and touching novel, digressions are the journey, as we too move through make-your-own-adventure lives, in which where you are from, and even where you are going, are of transient import.
Matthew Specktor’s memoir is an intimate investigation of one man’s imperfect life.
Cerpa navigates the helplessness of trying to express what is inexpressible amid the cruel accrual of despair.
Natalie Shapero is an incisive social critic cutting through the smog of self-absorption and contradictions between what is said and done.
Excerpt: For those who are willing to submerge in an intricate and linguistically sumptuous story, Ge Fei’s new novel offers a rewarding world to explore.
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