Author: Tasha Golden

Why Poetry Can’t Find Its Public, Part Two

Why Poetry Can’t Find Its Public, Part Two

A couple months ago, my blog, “Why Poetry Can’t Find Its Public” nearly caused a riot. Teeth were bared! F bombs thrown! I wanted readers to learn from pop music’s ability to connect with more people. Readers translated this as a suggestion that poetry be like pop music, sell like pop music, sell out like pop music, and compete with pop…

How Can We Feed Our Creativity?

How Can We Feed Our Creativity?

For songwriter Vienna Teng, the secret seems to lie in her variety of influences. While I combed through your fabulous feedback (!) on What Poetry Can Learn from Pop Music last month, I connected with Teng for my ongoing interview series,  “Hey Guys, Other People Read Too!“  A Taiwanese-American songwriter, Vienna’s chamber-folk style has led her to Letterman, the CBS Saturday Early Show,…

photo of Amos Heller with a cherry-red bass playing on stage at a large concert

What Do Taylor Swift and Faulkner Have in Common?

Um, the answer is this guy. Hey Writing World, meet Amos Heller: The much-loved, many-fanned bass player for Taylor Swift. (And, ahem, for Ellery.) I’m introducing you to him because—(#truth)—Amos’ literary prowess would put many of us to shame. When I first I got to know Amos, he was always making reference to some great book or author of…

an "order of service" for "The Lame Reading" lists out a series of four items: "1. invite author 2. coax suckers to attend 3. read some words out loud 4. benediction by The Right Reverend No one Will Remember" on "Saturday April 2nd, 1966 at 7:30 pm"

So… Readings. What’s the point?

If you’re a writer, you’ve likely subjected yourself to awkward, lifeless Readings enough times to wonder whether there’s still a purpose for these mysterious liturgies. We probably don’t need an old time tent revival (I hope not!)… But asking, “what’s the point?” may be long overdue. What I mean is: perhaps who/whatever began the institution of the Public Reading regarded…