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As A.A. Milne wrote in Winnie-the-Pooh, “Some people talk to animals. Not many listen though. That’s the problem.” The simple act of reading about animals challenges the conventional way that humans impose orders on other creatures, without wondering about their lives.
Though Christensen’s work has been well-loved in Europe since the publications of her first two collections of poetry, in Danish, her poetry did not reach American audiences until alphabet, translated by Susanna Nied and published by New Directions in 2001.
In the recent Marvel comic, The Vision, Tom King and Gabriel Hernandez Walta explore the tight rope between narrative exploration and the expectations of continuity in a series about a family of superpowered robots trying to live a different kind of story.
Black Mountain College sprung up in the 1930s, near Asheville, North Carolina, in the Blue Ridge Mountains. It was a short-lived school born in a time of crisis.
Last week, the New Yorker released the first English translation of Italo Calvino’s “The Adventure of a Skier,” which first appeared in the 1970 short story collection Difficult Loves. How does this “new” story fit into the themes and philosophical musings of the work as a whole?
The idea that there is something unique, something exceptional about America, dates back to de Tocqueville and has firmly taken root in the nation’s literary and political imagination.
Why did nobody tell me it would be this way? Elisa Albert’s narrator, Ari, seems to be asking throughout the novel After Birth. And why is no one around to help me through it now?
In core childhood narratives, elements of magic constantly compromise the bodily autonomy of women, from the prick of your finger on an enchanted spinning wheel to the loss of your voice in exchange for legs. I approached What Is Not Yours Is Not Yours with this narrative baggage in mind.
In Dorothy Allison’s Bastard out of Carolina, home is both cultivated and destroyed alongside characters that hold landscape against their bodies. Home is a beating heart. It’s a branding. Like the hungry, tenacious families Allison creates, her landscapes are just as alive and wanting.
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