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Octavia Butler and Yoko Tawada balance the pain of life in a post-apocalyptic future with stories of human resilience, offering readers some spark of hope in a future that seems hopeless.
CJ Hauser’s interrogation of familial and cultural stories reveals as much about what it means to love someone else as it does about what it means to love a narrative. Ultimately, this leads her inward, turning the force of her questioning toward the unexpected shape of her own life story.
A.L. Kennedy’s layered exploration of the corrida de toros is a revelation of knowing the problem and not understanding what must come next.
At times of injustice and tragedy caused by senseless human actions, it is helpful to recall the revolutionary power of writing from the broad perspective of the history of human existence.
“I never got the privilege to grow old with, or even get a chance to say a proper goodbye to, Pompilio or HS, and they never got to see some of the beautiful things I’ve somehow managed to. But writing about death lets me take my ghosts with me.”
Clint Smith’s new book is an examination of memory through an examination of sites that represent our country’s collective memory of slavery. He makes an important and effective call for us to examine how we remember our past, and how central our historical memory is to our existence today.
Around the world, woman novelists are refocusing narratives about desire, sex, and the body around their own experiences. Some of their stories explore society’s current hang-ups around women’s bodies, some paint a picture of a potential world full of guilt-free pleasure, and some explode the idea of gender determined by the body.
In “Peach Cobbler,” Deesha Philyaw manages a long stretch of time by tracking her protagonist’s relationship to an object. Writing sensually about peach cobbler, Philyaw draws the reader into the story: we are there, smelling the peaches and sugar and cinnamon, as Olivia develops from a girl into a woman.
Throughout Sayaka Murata’s 2016 novel, the protagonist presents herself as an object of the convenience store that employs her. But the implied morality of the book suggests that this state of bodily control to which she willingly subjects herself may not be as simple as either oppression or free will.
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