The Creation of The Diving Bell and the Butterfly
Despite the memoir’s rigorous production method, Jean-Dominique Bauby’s mind wanders throughout the book, resulting in the vivid connection between his present and his past.
Critical Essays
Pop Song and the Literary Breakup Album
Larissa Pham’s new collection reads like a beautiful, literary breakup album, each essay operating as its own track. By the time you’ve turned the final pages, you want nothing more than to flip the metaphorical album over, drop the needle, and begin again.
The Interfaith Poetics of Pilgrim Bell
For readers who share his sensitivity to the spiritual, Kaveh Akbar forges an interfaith poetics based on shared humanity and sharply rendered difference, manifested in an ethics of interruption. We find each other, the collection seems to say, in our shared search for the divine, wounded and harnessing the forces of personal and political power.
The Promise of Karaoke
In Christine Smallwood’s new novel, an adjunct English professor reckons with the contingency of her career: what can she do with a love of literature that seems to be fading, with professional dreams that are turning out to be hollow? To answer these questions, Smallwood turns to karaoke.
The Interrogation of Trauma, Love, and Work in Made in China
Anna Qu’s debut memoir unravels assumptions about immigration, labor, and trauma at both the personal and collective level, demonstrating how many seemingly disparate elements of our lives are deeply connected.
The Case of Janet Lewis
There’s no question that Janet Lewis’s novels represent major contributions to the midcentury canon that remain astonishingly unheralded, perhaps in large part due to the difficulty of pinning them down.
The Transfer of Power in The Lying Life of Adults
Elena Ferrante often uses objects in her fiction to explore relationships and time, but she also uses them as objective correlatives; while the bracelet in her 2019 novel serves as a way to move the reader through the plot, it is also clearly identified as an object, one that carries symbolic meaning.
Death as a Narrator in Assaf Schurr’s Thus Spoke Vincent, the Stupid Cat
Vincent the dead cat is a wake-up call in Assaf Schurr’s ten-year-old novel, much like a god or a guiding hand pushing the plot along. He speaks inconvenient truths and appears to be omniscient, at least when it comes to the secret lives of the book’s characters.
Late Summer’s Exploration of the Past
From the beginning to the end of the novel, Luiz Ruffato gives us a moment-by-moment account of his protagonist’s activities, thoughts, and feelings—a stream-of-consciousness narrative in which, as the novel progresses, the character’s memories of the past become more and more prominent.