Alexandra Kleeman and the Poetics of Weather
There’s much more to fictional weatherscapes than the tonal work that lies on the surface. Weather presents a fundamental aspect of narrative that, by definition, lies outside of the realm of agency.
There’s much more to fictional weatherscapes than the tonal work that lies on the surface. Weather presents a fundamental aspect of narrative that, by definition, lies outside of the realm of agency.
In corporeal and metaphysical terms, Ferrante’s girls and women are made porous and penetrable, pervious and vulnerable, in ways that raise questions regarding the contemporary status of a woman’s body, and the modes of resistance we might fashion in changing its position.
When you immigrate, you bring an entire world along with you, a fifth limb impossible to detach, though internal and external forces demand its removal. Immigrants enter into a state of constant negotiation, deliberating what stays and what goes within their sociopolitical space.
The stories in a new anthology edited by Viet Thanh Nguyen speak not only of estrangements from languages, loved ones, and countries of origin, but also of the pain of being in a new place that is not always accepting.
If there is an equivalent of the artist’s statement in poetry, it’s the ars poetica. Latin for “the art of poetry,” the ars poetica shows up as early as Horace, in 19 BC, and most poets since, it seems, have written at least one.
The nature of the census changes continually—it is at points a mechanism of state surveillance, a quest for self-knowledge, an act of community, a measure of goodness, an exchange, a gift.
Throughout “The Lazy River” Smith uses the second person and first person plural to create a
community on the page, not unlike the ones we flock to online. She establishes from the
beginning that we, as readers, will be a part of the narrative and complicit in the action
that ensues.
Since the inception of National Poetry Month in 1996, people around the world have spent every April celebrating poetry.
I’ve often resisted writing about the place I was born. To write about birthplace is to open one’s writing up to a number of potential pitfalls. We feel strongly about the places we come from, and often for uninteresting, arbitrary, or vaguely narcissistic reasons.
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