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Group of 5 men, four of whom are laughing and writing, the one in the middle is stone faced

The Ploughshares Round Down: 10 Times in Life When Writers Have the Upper Hand

I’ve interviewed a lot of entry level job candidates. I’ve had plenty of recent college graduates sent to a conference room to meet me with a strong thumbs-up from Human Resources. Bright, well-dressed, great resumes, and eager. This impresses the HR types. However, when I’d ask questions, especially follow-up and off-script questions, I would get…

Black and white photo of a group of people burning a pile of books in the middle

The Ploughshares Round-down: The Problem with Literary Doomsday Laments

We who love literature face an urgent crisis: a gruesome epidemic of articles worrying over the demise of literature, reading, English Departments, and apparently (along with them) culture, art, morality, humanity, and ALL KNOWLEDGE AND CIVILIZATION. We’re in dire need of an antidote for this doom–prophesying fever, these impassioned warnings about “philistinism.” (A word that, btw, needs to please hit a wall and slide…

Photo of a man at a typewriter with a crumpled piece of paper as a head and more crumpled papers scattered around him

The Ploughshares Round-Down: Embracing Hard Truths About Writing

Okay writers. My last Round-Down was about the impact of self esteem on our creativity. Several readers asked for a followup about how to cultivate said esteem, and for a half-second I was so on it. But I can’t deny that the news around the world has been horrifying the last few weeks, and that trying to…

Cover for the Paris Review issue 209

The Best Story I Read in a Lit Mag This Week: “My Wife, in Converse” by Shelly Oria

Stories written in the first person are supposed to be more intimate and allow us greater access to the emotions and thoughts of the narrator than second or third person. But what about the characters who aren’t eager or able to articulate their feelings? What happens when we give them the mic and ask for…