Female Agency in Dystopian Novels
Recent novels by Leni Zumas and Naomi Alderman reimagine the fate of female agency with the urgency of our time.
Recent novels by Leni Zumas and Naomi Alderman reimagine the fate of female agency with the urgency of our time.
This memoir of nineteen-year-old Maynard’s relationship with fifty-three-year-old JD Salinger is a nuanced exploration of power dynamics in a relationship, and an important #MeToo read.
Kevin Goodan seizes on the persistent remembering that characterizes PTSD in his new book, creating an elegy that develops a kind of poetic logic of the fear system.
While a woman translating Homer’s epic is certainly a huge milestone, Wilson’s interpretation is a radical, fascinating achievement regardless of her gender.
Anna Burns’s novel, winner of the 2018 Man Booker Prize, centers on unwanted sexual attention in an environment where safety is already not only unlikely, but impossible.
Amparo Dávila’s collection is reminiscent of Shirley Jackson, Franz Kafka, and Edgar Allen Poe, and tests the limits of fiction.
Stefan Zweig’s autobiography serves as a poignant warning as the world grapples with the rise of ethno-nationalism.
Early in Jeff Jackson’s latest novel, the media reports on a new kind of epidemic that is spreading across America: musicians in rock bands are being shot while performing live on stages of small music venues. What follows is a work that, in its lack of answers, serves as a relevant and chilling depiction of senseless violence.
Witch-hunting, Silvia Federici has written, developed in a world where communal relations were crumbling under the emergence of capitalism; from that moment on, the witch was the woman who escaped and defied patriarchal authority—and for this, she has always had to be punished.
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