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The covers of THE BORROWER and THE HUNDRED-YEAR HOUSE side by side.

One Year In—Writing the Novel: Rebecca Makkai

After one year of writing my novel, I took stock of what I’d accomplished—which seemed like very little. Would writing always feel like flailing? How do novelists find their way through? For guidance, I turned to published novelists, whose interviews are presented in the One Year In: Writing the Novel series.  Today’s novelist is fellow Ploughshares blogger…

Publication Starts the Story: On Jim Bouton’s Ball Four

Publication Starts the Story: On Jim Bouton’s Ball Four

Under review: Ball Four: Twentieth Anniversary Edition by Jim Bouton (465 pages, 1990, Wiley Publishing) A memoir’s publication date usually serves as a finish line. The events within have already taken place well, well in the past; their cathartic release tends to act as a formal and organized end to the events’ influence on the author’s…

The Best Story I Read in a Lit Mag This Week: “We Are Here Because of a Horse” by Karin C. Davidson

The Best Story I Read in a Lit Mag This Week: “We Are Here Because of a Horse” by Karin C. Davidson

In Issue 34 of Passages North, Karin C. Davidson introduces us to Tulsa, in her story “We Are Here Because of a Horse,” by writing that “Tulsa by night shines like a shattered gold watch.” I’ve arrived in Tulsa much the way her narrator and his wife approach the city here—late at night after traveling all…

People of the Book: Brad Pasanek

People of the Book: Brad Pasanek

People of the Book is an interview series gathering those engaged with books, broadly defined. As participants answer the same set of questions, their varied responses chart an informal ethnography of the book, highlighting its rich history as a mutable medium and anticipating its potential future. This week brings the conversation to Brad Pasanek, assistant professor…