Not much fazes me in the World of Creative Writing—a terrifying realm, to be sure—and though occasionally bummed, I don’t get too shaken up by phrasing such as “Dear Writer,” “we regret to inform you,” and “over x hundred/thousand/million/billion applicants.” So it goes. There are six words, however, that cause me to recoil involuntarily when…
GlaciersAlexis M. SmithTin House Books, January 2012112 pages$10.25 Isabel, the protagonist in Alexis M. Smith’s new novel Glaciers, was only a month old when her family departed Seattle by ferry, returning to their roots in Alaska. She can’t recall the trip, but as an adult envisions that, “Like other great creatures before them, the glaciers…
I have been a part of many writer’s workshops. College, post-college, online, extension school, gathering of friends. You name it. I’ve done it. For the most part, I believe workshops made my writing better. After all, there’s only so much that you can perceive regarding your own words. Unless you’re Emily Dickinson, you need…
I first met Carol Gilligan in 1994. I’d read In a Different Voice in college, and had been intrigued by that book’s observation that women’s voices change the moral conversation…so when I met Carol I was prepared to see her through the lens of that groundbreaking work and all the political conversation it had generated….
If you’re interested in poetry and/or literary fiction and have been reading the Internet at any point over the last decade, you’re probably at least vaguely aware that there’s some controversy over the MFA degree: the number of people pursuing it, the effect it has on American writing, and its overall usefulness in our capitalist…
Pauline Kael: A Life in the DarkBrian KellowViking Adult, October 2011432 pages$27.95 Please note: Emily Murphy is not the author of this post, contrary to what it says. The author is Joshua Garstka. See the bottom of the post for bio information. “This was the world teachers used to pretend (and maybe still pretend?) was…
Very few writers can actually support themselves with their writing. Since, like the vast majority of writers out there, I work during the day, people often ask me when I have time to write. After all, with a corporate job, family life, varying attempts at a social life, fantasy sports, television, travel, drinking, trading barbs…
I once spent a year working as literary editor for a group that produced radio plays—dramatic adaptations of American short stories, which were then broadcast on NPR and BBC. Though I was never more than a novice in the radio world, I loved it—the collaboration, the energy of the actors, the process of helping…
So! A quick caveat. By night, I’m a poet: I write, I submit, I sometimes get an acceptance, I get a bunch of rejections, and I submit again. Lather, rinse, repeat. There’s notoriously little money in poetry, however, so by day I work in the digital group of a publishing company. The caveat I mention…
No products in the cart.