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Danticat doles out prickly investigations of transnational identity that are thickened by circumstance and mucked up by globalization.
If Supreme is recognized for Barbara Kruger’s iconic messages, is the brand co-opting and altering her words, thus changing Kruger’s rhetorical impact on an audience? What is the rhetorical purpose behind Kruger’s work?
Salman Rushdie’s fantastical 1983 novel explores and illustrates the slippery relationship between shame and violence—when accumulated, the former often leads to the latter.
In fiction, it is never a good idea to attend a dinner party. We read dinner party stories to get messy, to get everybody drunk, and to hear what they’ve been keeping quiet about for years. These fictional parties almost always end in a revelation, and usually not a happy one.
While the characters of Laila Lalami’s newest novel confront and sometimes overcome the discomfort caused by their differences, Lalami presents one final troubling question for her readers: what markers of violence have our willingly blind eyes allowed to fester?
Lucette Lagnado’s 2007 memoir is a testament to the difficulties that are so inherent to the immigration process that even a family of people who are educated, upper-class, and well-off experience them.
While Olivia Laing’s 2011 book is a remarkable piece of nature writing, it is, at its core, a book about a heart mending itself and the unwieldiness of memory.
From childhood, the Brontë siblings held each other’s intellects in high esteem and together made a web—a story-catcher—out of their own disparate interests, their ideas acting as warp and woof, their mutual love and respect a catalyst for their later works.
The garden is a riot. Tiger lilies stifling the mailbox, butterflies on pink milkweed blooms, pansies in baskets. Standing on the front porch drenched in this splendor, I welcome the celebration and fear the powerful spirits that bring such life. What is most alive is also very close to death.
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