Review: A WOMAN OF PROPERTY by Robyn Schiff
A new kind of writing about motherhood may be emerging. Rachel Zucker’s and Arielle Greenberg’s Home/Birth, Brenda Shaughnessy’s Our Andromeda, Eula Biss’s On Immunity, and Maggie Nelson’s The Argonauts, for example, are conscious in a contemporary way about new possibilities of childbearing and parenting, about choices and agency, yet also connect to tradition. Robyn Schiff’s new book adds another dimension to this emergent canon by summoning the uncanny.