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I had been trying to get my 4-year-old daughter to put her face in the water at the pool for two years before she just suddenly did it one day—one night, really, near the end of this summer, the light dying, the rest of us standing poolside with our shoes on and our bags packed telling her come on, get out, time to go home.
Inside the craft-obsessed, time-warped fiction workshop where literary realism has reigned supreme forever, the Show-Don’t-Tell maxim serves an important function in critique.
Lore Segal’s “At Whom the Dog Barks” is not so much concerned with cause and effect as it’s concerned with coincidence and pattern. Or perhaps coincidence is the name for cause and effect outside the realm of human perception.
Patterns are everywhere and we rely on them to understand ourselves and the world. Theoretical physicists and cosmologists attempt to unlock the mysteries of our existence by searching for patterns. Behavioral scientists, psychologists, psychobiologists, criminologists, sociologist and cognitive scientists seek insight into human nature by studying patterns.
I first met Jennine on the dance floor in a barn on a summer night at Breadloaf. Or at least I like to remember it that way. She’s an electric person, both in the flesh and on the page. She says the unexpected, and also the uncomfortable and necessary. She’s equal parts funny and fearless, irreverent…
This guest post was contributed by Ethan Rutherford. —Andrew Ladd, blog editor. I recently moved, and while unpacking my books I stumbled upon an old issue of Ploughshares—Fall 2007, guest edited by Andrea Barrett. I don’t always keep my old literary journals, but I’ve kept this one because it included a story by a good…
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