Maggie Nelson’s Complication of Freedom
In her 2021 book, Maggie Nelson comes to identify and appreciate freedom’s paradox—that true freedom comes with an understanding of limits, or an appreciation of the idea of constraint.
In her 2021 book, Maggie Nelson comes to identify and appreciate freedom’s paradox—that true freedom comes with an understanding of limits, or an appreciation of the idea of constraint.
In two books, Maggie Nelson manages to recount the murder of her aunt, Jane, in terms that don’t elide the true horror of the situation, while keeping Jane’s voice firmly centered for readers.
What do we learn from new depictions of brutalized bodies in literature?
How do we tell our stories? What form best fits the autobiographical? For many writers, working in one genre is not sufficient, or else a single genre does not exhaust a writer’s obsession with their subject matter.
Anne Carson, Maggie Nelson, and Marie NDiaye destabilize categories like genre and color as a way of moving forward with exploring the disturbances found within personhood.
What is the role of the literary arts when the self is at its most porous? At moments of corporeal and emotional transition, how does writing entwine with acts of recovery and transformation?
I don’t pretend to understand Maggie Nelson’s The Argonauts. The materials she has read, the level of her intellectual thinking, as well as the life she leads—and conveys in this memoir—are several levels of complexity and depth beyond what I can comfortably claim to know.
Chronic pain necessitates time spent alone, and so seems a natural conduit for loneliness. This doesn’t signal immediate alarm for the writer, who excels in spending time alone. But is there a more insidious, pervasive relationship between chronic pain and the writing process? How does it alter the texture of one’s work, and transfigure or contribute to it over a lifetime?
The tension at the heart of Trump’s recent iteration of bigotry against trans individuals comes through profoundly in Maggie Nelson’s The Argonauts. Nelson writes both movingly and perplexingly about bodies in flux.
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