Mavis Gallant

weathered brick facade with blue window shutters and a balcony

Foreignness and Familiarity in Mavis Gallant’s “Mlle. Dias de Corta”

Mavis Gallant’s “Mlle. Dias de Corta” unfolds more like a novel than a short story. It’s a second-person address to a tenant the narrator, an aging, xenophobic French widow, had twenty years before—a young actress, Alda Dias de Corta, whom the widow took in “for companionship rather than income.”

Students sitting around a table with notebooks and pens.

Back to School Special: Thoughtful Imitation

  I didn’t study creative writing as an undergraduate; it wasn’t an option. When I enrolled in the MFA program at University of Washington, what I craved more than workshop (which I’d experienced a few times in continuing education settings) was the elusive “craft” class: reading analytically not to make an argument about literature (which…