How Can We Be Happy in a World Full of Suffering?
Olivia Laing, in her new novel, writes of a feeling that resonates: “She felt blank. She felt blank and mildly hysterical, she was itching to do something but it wasn’t clear what.”
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Olivia Laing, in her new novel, writes of a feeling that resonates: “She felt blank. She felt blank and mildly hysterical, she was itching to do something but it wasn’t clear what.”
In the face of urgent calls for social action, Olivia Laing’s 2020 collection of criticism makes a case for art’s slow, subtle efficacy. And in her acuity as a critic, she demonstrates that not only art, but writing about art, can be a powerful agent of social change.
While Olivia Laing’s 2011 book is a remarkable piece of nature writing, it is, at its core, a book about a heart mending itself and the unwieldiness of memory.
Not all wandering is equal; not all bodies can move easily through all spaces. While there is always the possibility of danger in wandering, there is also, however, a benefit to changing our surroundings and seeing a world beyond what we are used to.
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