Revisiting James Wright’s Shall We Gather at the River at Fifty-One
It is an understatement to say that Wright’s fourth collection had its work cut out for it, and it is no surprise the reception of the book was dramatically and passionately mixed.
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It is an understatement to say that Wright’s fourth collection had its work cut out for it, and it is no surprise the reception of the book was dramatically and passionately mixed.
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