The Refugee Narrative as Ghost Story
Migration, especially for refugees, is a violent crossing. In Viet Thanh Nguyen’s story collection The Refugees and Mai Der Vang’s Afterland, the dead, and all else the living abandoned, refuse to be left behind.
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Migration, especially for refugees, is a violent crossing. In Viet Thanh Nguyen’s story collection The Refugees and Mai Der Vang’s Afterland, the dead, and all else the living abandoned, refuse to be left behind.
Inside the craft-obsessed, time-warped fiction workshop where literary realism has reigned supreme forever, the Show-Don’t-Tell maxim serves an important function in critique.
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