Frank Bidart has business with substancelessness, whether in the wasting figure of Ellen West or in dreams which suffuse the old and new poems of In the Western Night. The book's unusual structure — Bidart begins with poems dated "1990," works retrospectively through books published 1983-1976, and ends with his most recent poems — suggests…
Jane Kenyon's third book of poems is deceptively quiet, gorgeously written, fierce and lyrical, stuffed with the luminous details of the ordinary world. It's a book struggling for vision and written out of deep necessity, and so it's hard to quote from — the poems make up a whole cloth. But passionate spiritual inquiry is…
Mercy Seat Poems by Bruce Smith. Univ. of Chicago, $9.95 paper. Reviewed by David Rivard. In the epigraph to a poem called “Self-Portrait as Ornette Coleman,” Bruce Smith quotes the legendary saxophonist as saying of Spike Jones’s treatment of an old standard, “He’d take ‘Stardust’ and run a saw through it then come back…
James Alan McPherson recommends Don’t the Moon Look Lonesome, a first novel by Stanley Crouch: “This is an extraordinary effort by Stanley Crouch to employ the improvisational resources to the blues idiom to explore, in the novel form, the nuances of contemporary reality. In attempting to use ‘riffs’ to examine the emotional and psychological…
Fuel Poems by Naomi Shihab Nye. BOA Editions, $12.50 paper. Reviewed by Victoria Clausi. The poems in Naomi Shihab Nye’s latest book, Fuel, comprise a world filled with intelligence, warmth, humor, and tenderness. It is a world wherein the ordinary becomes extraordinary and the lived moment links itself to history. It is a world in…
. . .is a first novel, or first book, rather, full of good stuff, shaped loosely and roughly in the form of therapeutic reminiscence. There's a Writer at work in it, experimenting with styles, working for concision, profundity, and no-bullshit meatiness; now and then showing humor and relaxed gusto, now and then waxing into a…
Dan Wakefield recommends Dreamtime Alice, a memoir by Mandy Sayer: “A compelling memoir of a young woman tap-dancer who works with her musician father on streets corners of New York and New Orleans. A fine work of the memoir genre.” (Ballantine)
Joyce Peseroff recommends Germany, poems by Caroline Finkelstein (Carnegie Mellon): “When a Jewish woman chooses Germany as the title for her book of poems, she is telling you something about language and history. Caroline Finkelstein writes with radiance about an implacable world where ‘. . . the yews move, / . . . the ragged…
Like Elizabeth Bishop and Robert Lowell, Eleanor Ross Taylor is a poet who records in startling detail the mind's passionate and peculiar motion, now supple, now crablike; capable of memory's precise image or its blur. Days Going/Days Coming Back collects new work together with poems from three earlier volumes, and should bring focus and attention…
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