Years ago, in the liminality of early transition, I worked a brief labor job. I hadn’t started hormones and looked like, what until recently I had been: a dyke. At the café where I hung out was a private contractor, with a crew of macho-seeming mostly Hispanic workers, doing construction and remodeling. He liked the…
I saw him when I entered the lobby. A tall man, sitting down. American or Australian or British. Young but not that young. Starting to bald. He had what the Japanese called a tall nose. When he stood, his body arched, then kept going, reminding me of a solitary egret, uncomfortable in rumpled feathered skin….
Edward Hirsch, 100 Poems to Break Your Heart (Houghton Mifflin Harcourt, 2021) Elizabeth Spires, Kate’s Light (Holiday House, 2021) Maura Stanton, Interiors (Finishing Line Press, March 2022)
Laura van den Berg recommends The Mysteries by Marisa Silver (Bloomsbury Publishing, 2021). “Silver’s latest is brilliant on the life-warping power of grief, and on the tactile etherealness of childhood. A suspenseful and deeply felt novel.” Rosellen Brown recommends Imagine the Dog by Cecilia Pinto (Texas Review Press, 2021). “There aren’t enough presses that dare…
Ploughshares is pleased to present Vincent Yu with the third annual Ashley Leigh Bourne Prize for Fiction for his short story “You Just Make Me So Happy,” which appeared in the Fall 2020 issue, edited by Editor-in-chief Ladette Randolph. The $2,500 prize, sponsored by longtime patron Hunter C. Bourne III and selected by our editors,…
On the first day of my graduate workshop, sometimes I will ask the writers to draw an undersea creature and put it on the chalkboard. They do it willingly, and some are surprisingly good artists, making convincing jellyfish and eel out of chalk. Another might draw a blob of a whale, someone makes the classic…
At first, I meant to write a treatise on happiness, but only as a kind of anti-history. —Anne Boyer, Garments Against Women Recently, I’ve had a case of Anita Brookner-itis—by which I mean a propensity to read and reread her twenty-four novels despite the aching sadness they leave in the pit of my stomach. Given…
In Lost Children Archive, Valeria Luiselli writes: “I suppose that documenting things—through the lens of a camera, on paper, or with a sound-recording device—is really only a way of contributing one more layer, something like soot, to all the things already sedimented in a collective understanding of the world.” I’m writing this introduction in the…
Ploughshares is pleased to present Kaitlyn Greenidge with the tenth annual Alice Hoffman Prize for Fiction for her story “Doers of the Word,” which appeared in the Summer 2020 issue, guest-edited by Celeste Ng. The $2,500 prize, sponsored by acclaimed writer, former guest editor, longtime patron, and member of the Ploughshares advisory board Alice Hoffman,…
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