Nonfiction

Jazz Below the Water Line

Fifty-six years ago I picked up a musical instrument for the first time with intent to commit jazz. It was a trombone left behind by another kid at the jazz record store where we both hung out. (He’d been snatched by Selective Service for the Korean War. I’d 4-F’ed out.) I got a single lesson…

Introduction

I want to send out this issue of Ploughshares in the high spirits of a Saturday morning in late March. I was alone and took a long walk by myself, but I also carried with me this surprising gathering of writers, this sudden congregation of solitaries, some from different countries, a few no longer living….

Introduction

In Ovid’s Metamorphoses, a boy turns into a daffodil, a girl turns into a tree, a husband and wife turn into snakes and slither away together. The fisherman Glaucus, seeing the fish he’s just caught return to life after he’s spread them out on the meadow, eats one of the strange leaves they’re lying on…

Introduction

"World is suddener than we fancy it," Louis MacNeice announced in his poem "Snow": "World is crazier and more of it than we think, / Incorrigibly plural . . ." So I felt, collecting the poems and stories for this issue of Ploughshares. The issue was like the great bay window in MacNeice’s poem, with…

Dead of the Night

  For once, no flowers. Past midnight, and very quiet along this corridor. The clock on the opposite wall is round, a cartoon clock. Funny, the idea of keeping time, here of all places. Beneath the clock, a square tablet announces in bold what is now the wrong date, April 3.    I could walk…

Introduction

For me, these past few years have been filled with elegies. Allow me one more: this, not for a loved one, but for the Plough & Stars, the Cambridge pub where this very journal was founded. Like much of the Cambridge that had welcomed (or ignored) me—a young writer who had come to town fifteen…

Introduction

We live in a time of extraordinary literary riches. I believe that contemporary literature—both our poetry and our fiction—is not only healthy, but thriving. I believe the work of many of my contemporaries has been remarkably innovative, startlingly powerful, and deeply compelling. I believe that the greatest strength of American literature has been, at its…

Instead Of

This is a story about not doing; this is a story about everything else. The trouble with writing is that it’s too easy not to do. Imagine if eating chocolate was as easy not to do as writing. Or paying your mortgage. Or making an eight o’clock class. Imagine if you were firmly convinced that…

Introduction

I began editing this issue of Ploughshares in the summer of 2004 shortly after my return from Chile, where I was invited, with Yusef Komunyakaa and Nathalie Handal, to participate in the celebration of the Neruda Centenary. We had entered the Republic of Poetry. Restaurants used Neruda’s odes for recipes, and proudly announced this fact…