Nonfiction

  • Buck and Doe

    Bill held the knife. I held the book. "Cut a slit from the deer’s breastbone to the anus, taking care not to puncture the bladder," I read. My fingers stiffened in the wind. Steam rose off the guts as they hit the driveway. The moon shone off the snow. He had me hold a hoof….

  • From the Ground Down

    "Something’s happened," my father says. There’s been a construction accident. A demolition gone wrong on a lot cattycorner to his apartment in Brooklyn. The crew dug too deeply into the dirt cavity where a house once stood, and into the bordering foundations. The house next door has collapsed. There may have been three people inside….

  • Becoming Visible

    I was nearing the middle of my life when I became a girl. Up until then I was a woman, work-possessed, abstracted, safe. I wore khaki corduroy trousers weathered down to the gauze weave and a puffy and rather grimy electric-turquoise coat, and I cut my black hair short and blow-dried it perkily aloft. I…

  • The Dead

    "It is only during times of celebration or mourning that loved ones are together," my father says. "Not like in the old country when everybody lived and worked as a village." He and his siblings have moved further apart and spoken less through the years. On the phone, they tell each other how preoccupied they…

  • Introduction

    I love poets who bring us to our proper size. Think about taking a picture of a mile-high waterfall, and about that little human figure you need in the shot to suggest the magnitude caught in the image—the tiny person is the scale factor. It isn’t that true scale diminishes the human, but rather that…

  • Introduction

      "Here’s why I write. Because Poetry begins there where death had not the final word." —Odysseus Elytis   I sent out a call to some poets: friends, acquaintances, and some only known to me by their poems. Inevitably I forgot some, and also I am ignorant of many; forgive me. I asked for submissions…

  • Introduction

    Running throughout this issue, though not by editorial design, is that typically postmodern sense of absence, in so many configurations: in the memoir, for instance, as loss; or in fiction, as the absence of fulfilled desire, the basic plot of a story being that someone wants something and has problems getting it; or in poetry,…

  • Lady Fingers

    Chi Chi inhaled the screen from her crack pipe.”       I laugh and wait for Leslie to join in, but there is only silence on the other end of the line.       “You’re serious?” I ask.       “You better believe I’m serious. That child gone and almost killed herself.”       I want to apologize for laughing, thinking this was…

  • Introduction

    As I was writing this introduction, a series of fierce storms began hitting sections of south central Iowa. Several weeks ago, an Iowa town named Parkersburg was completely destroyed, and the media focused on the efforts of the townspeople to contain the disaster. The storms persisted throughout most of Iowa, with extreme winds and torrential…