Nonfiction

  • Don’t Rub Your Eyes

    I understand women the way junkies understand shooting up. Feel the rush, make the pain go away, and think about the next fix. I don’t know what to do when the glow wears off, when a real person floats to the surface of the dream. It’s the sixties, after all, and what might be pathology…

  • Introduction

    The vigor and accomplishment of contemporary American literature is nowhere more easily appreciated than in the journals and quarterlies that labor doggedly, and for the most part thanklessly, to display both the quantity and quality of the enterprise. The quantity and quality of those journals and quarterlies themselves is both staggering and delightful, and the…

  • Intimacy and the Feast

      Women think they know everything about love and they are wrong. Men think they know nothing about love and they are wrong, too. Books spoil you for love Love spoils you for food Food spoils Reading was the first thing worth leaving home for. I read the way you should never love or eat….

  • Introduction

                         ". . . whence a whole world emerges."—Cavafy A friend of mine finds out from her agent (her editor never calls) that her book, her fourth, has been dropped from her publisher’s catalogue. The work is too difficult. A writer I know is told, "How about putting in some dogs? People love it when…

  • On Jennifer Boyden

    Jennifer Boyden’s poetry is haunting, empowered by a crisp but lyrical language. It’s quietly thoughtful and emotionally engaging. —Nance Van Winckel, author of four books of poetry and three short story collections. She teaches in the graduate creative writing programs of Vermont College and Eastern Washington University.

  • On Rodney Jack

    Rodney Jack has mastered Dickinson’s imperative: he tells the truth and tells it slant. His poems are marked by a welcome, persuasive, Classical restraint. The poet’s sensibility, and the particulars of his autobiography, smoulder behind all his work, but his gifts for the telling detail, for a moving intimacy of tone, and for a syntax…

  • On Todd Hearon

    "Ancestors" shows the quiet virtues for which he is becoming known as a poet. It has subtle imagery (the wasp, transposed into the ghostly shapes of the ancestors; the loaves of phantom bread); it has narrative momentum without being tediously anecdotal; most of all, it is alive in its various iambic rhythms, never coercively regular…

  • On John Casteen

    John Casteen is extremely talented, very dedicated, and a marvelous young writer. He always had a raw and edgy talent, an energy and kinetic spirit that were very impressive. Over the course of his time with us at UVA, he smoothed and solidified that talent and energy into finishing poems that were very impressive. He…

  • On Beth Woodcome

    In my opinion and in the opinions of many teachers, writers, and readers of contemporary poetry I am in touch with, Beth Woodcome, still in her mid-twenties, is one of the most talented, original, and hard-working poets in the country. —Franz Wright, author of many collections of poetry and translation, including most recently Walking to…