Nonfiction

On Christina Pugh

I was taken with Christina’s poems when I first heard them, and when I read them my sense of her extraordinary talent was confirmed. She seems to me quite simply one of the most promising younger poets I have run across in years, and it is gratifying to see that she is quickly achieving the…

On Alexai Galaviz-Budziszewski

Alexai grew up and still lives in a Chicago neighborhood known as Pilsen/Little Village. It’s the largest barrio east of L.A. The neighborhood is the locus of Mexican culture in the Midwest. It is plagued by the usual economic problems that plague most immigrations, and in particular by street gangs. What attracts me to Alexai’s…

On Sadaf Qureshi

I find her work full of life—carefully observed, and expressed in language that is equally alive to gesture and nuance. Her poems surprise and satisfy, as when "used friends/look new in their unused clothes" or a wedding guest whispers a phrase the reader first takes as an epithet, then realizes it is meant as praise…

On Kathy Nilsson

Kathy Nilsson’s work is strangely stern—beautiful without being pleasant, compassionate but not at all sappy, sometimes funny but more often wry. It was my privilege to have her as a student in the Bennington M.F.A. program for the term that she was polishing and assembling her manuscript, and I had the experience, in poem after…

On Sharmila Voorakkara

I have been enthusiastic about Sharmila Voorakkara’s poetry since the first poem she wrote for my poetry writing class several years ago. From the beginning, her perspectives were strange and compelling, not merely willfully odd, and her language and imagery were original, both wry and brilliantly awry. I was pleased to have my own impressions…

On Stephanie Pippin

Stephanie Pippin has my absolute highest recommendation. Because Stephanie’s work is so utterly original, it is difficult to know quite how to describe it. It’s exacting, like Dickinson’s, and characterized by a similar intelligence governed primarily by intuition, or that’s the sense it leaves me with—in the way that excellence, true excellence, always looks effortless….

On Jay Leeming

Jay Leeming is the most brilliant of the younger poets that I have read lately. He is a high-stepper, and he risks a lot with each brief line. He is not one of those who puts down the name of his laundromat and everything that has happened to him since he was six years old….

On Ted Mathys

When I first read the announcement for the Ploughshares Emerging Writers Issue I immediately thought of Ted Mathys, a poet whose talent reminds one of Hart Crane, and not just because Ted is also from Ohio and now lives in New York, but because of the preternatural facility for language they share as well as…

On Rachel DeWoskin

Rachel DeWoskin’s poems have astonishing dash and verve: they are fun to read, and they cut deep; they know when to stop and how to surprise. Her years in China give her material but she writes about it with a smart, revealing precision that is the opposite of mere touristic exoticism. I think she will…