Nonfiction

On Sarah Maclay

Ms. Maclay has a superb lyric gift, a remarkable imagistic clarity, and a constant sense of invention. Her recent prose poems—a departure for her—strike me as some of the most gracious and compelling of the genre. She is melding the concerns of her more fiercely lyric pieces with a more elongated music phrasing, and the…

On Patrick Michael Finn

I’m proud to nominate Patrick Michael Finn, one of my most accomplished, prolific former students and one of my favorite writers. Mr. Finn remains someone I talk about quite often, though he graduated in 1997, and someone whose stories have never left my mind. I still remember his characters—lonely Joliet teenagers struggling with religion and…

On Jaswinder Bolina

I endorse with great enthusiasm the poems of Jaswinder Bolina. I firmly believe he is a poet whom we will be hearing about in the not-too-distant future. The foundations of his work are complex, and I will attempt to lay them out here. Clearly, one would deduce from reading these poems, here is someone who…

On James Heflin

I have known James for about four years, and have watched his rapid maturation as a poet. His poems combine intelligence, whimsy, emotion, and a sure sense of rhythm. His lines, whether long or short, are always exactly the right length. They follow the natural movements of the poem at the same time that they…

On Ted Weesner, Jr.

I first encountered Ted Weesner, Jr. and his work when I heard him read at the Bread Loaf Writers’ Conference and also at the Pen/New England Discovery awards. In both cases I was struck by his vivid characters and by the edgy, intimate, contemporary voice of his narrators. Later on the page, I found myself…

On Julie Funderburk

Fresh from the undergraduate program at Chapel Hill, Julie Funderburk was in my first class of M.F.A. poetry students in the fall of 1992. Since then we have been colleagues and fellow poets, and I have been witness to more than ten years of development in her poetry and poetics. Essentially Julie is a lyric…

On Alicia L. Conroy

In haunting ways, Alicia Conroy’s "Mud-Colored Beauties of the Plains" not only recalls Márquez’s "A Very Old Man with Enormous Wings" in its sense of a mythic past beset by modern society, but it steps back a page. Conroy’s story springs from the source of creation—the mud bed of "fluvial life from amid tree roots…

On Kathleen Graber

The method of these poems is to juxtapose several elements, forming a kind of scaffolding, a structure to enable both narration and meditation. These long-lined, expansive poems proceed through this sort of triangulation, melding disparate elements so that the whole becomes larger than the sum of its parts. Waitresses talk in a diner while the…

On Jill McDonough

Jill McDonough’s poems are lyrical founts of energy and insight and humor and empathy. She’s a daring poet, formally sophisticated yet pushing the boundaries of form at every turn. In the four or five years I’ve known her poems, their subjects have dazzled me: a bumptious American girl teaching in Japan and loving the language,…