Nonfiction

  • On Susan Browne

    Susan Browne has been my student for several years; I’ve watched her work harder than anyone I know to bring her poems to fruition. She’s funny, heartfelt, unabashedly emotional and narrative. I find her complete humanity so bracing. It was difficult to choose what to send, but I chose three poems that I think convey…

  • On Teresa Leo

    In commenting about her own work, Teresa Leo cites Louise Gluck’s line, "All my life I have worshipped the wrong gods," and goes on to say that her poems explore a similar revelation: what happens when one is drawn, for whatever reason, to the wrong partner. They chronicle the relationships that move from agency and…

  • On Kevin Wilson

    Kevin Wilson’s stories show us a world that is both real and full of illusion. One imagines the skies that sit over these towns are always a particularly vibrant shade of blue. The characters are people we almost know, and yet their lives are heightened, peculiar, both more dazzling and more tragic than our own….

  • On Christina Pugh

    I was taken with Christina’s poems when I first heard them, and when I read them my sense of her extraordinary talent was confirmed. She seems to me quite simply one of the most promising younger poets I have run across in years, and it is gratifying to see that she is quickly achieving the…

  • On Alexai Galaviz-Budziszewski

    Alexai grew up and still lives in a Chicago neighborhood known as Pilsen/Little Village. It’s the largest barrio east of L.A. The neighborhood is the locus of Mexican culture in the Midwest. It is plagued by the usual economic problems that plague most immigrations, and in particular by street gangs. What attracts me to Alexai’s…

  • On Sadaf Qureshi

    I find her work full of life—carefully observed, and expressed in language that is equally alive to gesture and nuance. Her poems surprise and satisfy, as when "used friends/look new in their unused clothes" or a wedding guest whispers a phrase the reader first takes as an epithet, then realizes it is meant as praise…

  • On Kathy Nilsson

    Kathy Nilsson’s work is strangely stern—beautiful without being pleasant, compassionate but not at all sappy, sometimes funny but more often wry. It was my privilege to have her as a student in the Bennington M.F.A. program for the term that she was polishing and assembling her manuscript, and I had the experience, in poem after…

  • On Sharmila Voorakkara

    I have been enthusiastic about Sharmila Voorakkara’s poetry since the first poem she wrote for my poetry writing class several years ago. From the beginning, her perspectives were strange and compelling, not merely willfully odd, and her language and imagery were original, both wry and brilliantly awry. I was pleased to have my own impressions…

  • On Stephanie Pippin

    Stephanie Pippin has my absolute highest recommendation. Because Stephanie’s work is so utterly original, it is difficult to know quite how to describe it. It’s exacting, like Dickinson’s, and characterized by a similar intelligence governed primarily by intuition, or that’s the sense it leaves me with—in the way that excellence, true excellence, always looks effortless….