In commenting about her own work, Teresa Leo cites Louise Gluck’s line, "All my life I have worshipped the wrong gods," and goes on to say that her poems explore a similar revelation: what happens when one is drawn, for whatever reason, to the wrong partner. They chronicle the relationships that move from agency and…
Kevin Wilson’s stories show us a world that is both real and full of illusion. One imagines the skies that sit over these towns are always a particularly vibrant shade of blue. The characters are people we almost know, and yet their lives are heightened, peculiar, both more dazzling and more tragic than our own….
I was taken with Christina’s poems when I first heard them, and when I read them my sense of her extraordinary talent was confirmed. She seems to me quite simply one of the most promising younger poets I have run across in years, and it is gratifying to see that she is quickly achieving the…
Alexai grew up and still lives in a Chicago neighborhood known as Pilsen/Little Village. It’s the largest barrio east of L.A. The neighborhood is the locus of Mexican culture in the Midwest. It is plagued by the usual economic problems that plague most immigrations, and in particular by street gangs. What attracts me to Alexai’s…
I find her work full of life—carefully observed, and expressed in language that is equally alive to gesture and nuance. Her poems surprise and satisfy, as when "used friends/look new in their unused clothes" or a wedding guest whispers a phrase the reader first takes as an epithet, then realizes it is meant as praise…
Kathy Nilsson’s work is strangely stern—beautiful without being pleasant, compassionate but not at all sappy, sometimes funny but more often wry. It was my privilege to have her as a student in the Bennington M.F.A. program for the term that she was polishing and assembling her manuscript, and I had the experience, in poem after…
I have been enthusiastic about Sharmila Voorakkara’s poetry since the first poem she wrote for my poetry writing class several years ago. From the beginning, her perspectives were strange and compelling, not merely willfully odd, and her language and imagery were original, both wry and brilliantly awry. I was pleased to have my own impressions…
Stephanie Pippin has my absolute highest recommendation. Because Stephanie’s work is so utterly original, it is difficult to know quite how to describe it. It’s exacting, like Dickinson’s, and characterized by a similar intelligence governed primarily by intuition, or that’s the sense it leaves me with—in the way that excellence, true excellence, always looks effortless….
As a beginning writer, I had the good fortune to study with Albert J. Guerard, the greatest teacher of creative writing in the twentieth century. Guerard—novelist, teacher, and critic with equal intensity—taught at Harvard for twenty-three years, then at Stanford for another twenty-three, and was a mentor to many of the century’s most esteemed writers,…
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