Nonfiction

  • Introduction

    It’s probably a shame to say so, at least at the outset of an introduction to this issue of Ploughshares, but I may not be a particularly good or efficient reader of other people’s fiction. By nature I am somewhat distractible. And although my distractibility is matched at times by my ability to concentrate, these…

  • Introduction

    It’s a December afternoon in Houston, and I’m stuck in traffic on Westheimer, in a strip of shopping centers — an unrevealing detail, since Houston mostly is a strip of shopping centers, more retail opportunities stretched endlessly along these roads than you’d think even the fourth largest city in America could ever make use of….

  • Introduction

    In a brief introduction to the last issue of Ploughshares I guest-edited (Spring 1985, Vol. 11, No. 1), I noted that nearly twelve years had passed since the first issue I edited (Summer 1973, Vol. 1, No. 4) and that I’d be happy to do it again in another dozen years or so. Blink: a…

  • Introduction

    Not so long ago, in trying to dislodge a student from some writing that — due to her fear or complacency — was overly safe and conventional, I experimented with a bit of pedagogical brutishness. I looked her in the eye, held up her story, and said, ” I could have written this.” Now I…

  • Introduction

    At the beginning of the process of reading fiction for this issue of Ploughshares, I worried briefly — foolishly — that I might not find enough stories to fill my allotted pages. Now, months later, my single regret is that I didn’t have space for more of the fine work I had the opportunity to…

  • Introduction

    If the novel is the bastard child of two passionately but uneasily matched parents — poetry and journalism — then the short story seems clearly able to trace its descent from the distaff side. I grant poetry the female gender, for reasons that there should be no need to state. Or if there is a…

  • Introduction

    "I like songs I can relate to,” Ray Charles said in an interview in 1960, long before “relate” became part of the ubiquitous psychobabble. And I guess that was Jane Shore’s and my one persistent criterion for the work we’ve included in the following pages. In some fundamental, surprising, persistent way, the poems and stories…

  • Introduction

    According to the stories my mother tells, I refused to speak a word until I was almost four. She became so worried that she took me to a doctor — an extreme act in the rural Kentucky region where I was raised; in fact, for the remainder of my Kentucky youth, I would never see…

  • Introduction

    If you don’t like these stories, you should’ve read the ones I didn’t take. Even though that’s not accurate, it’s probably the only thing I could say in this space to truly arrest the attention of the curious soul bent on simply reading a few good stories (which, in fact, he/she will find here). But,…