Editor's Corner

Charles Simic, Jackstraws, poems: This collection of new poems paints exquisite and shattering word pictures that lend meaning to a chaotic world, uniting the solemn with the absurd. Simic continues to startle with images of the ethereal, fantastic visions of the everyday, and moments full of humor and heartache. (FSG)

Gerald Stern, Last Blue, poems: A statement from Stern himself illuminates the focus of his outstanding twelfth collection: “Light vs. darkness has always been one of my themes, but now more than ever. Not only is this the root-and metaphor-for all the major religions, but the almost biological frame of reference for humans. With me,…

Mark Strand, The Weather of Words: Poetic Invention, essays: A brilliant and witty collection of writings on the art and nature of poetry, exploring the relationship between photographs and poems, the eternal lyric, old forms, and an alphabet of influences. (Knopf)

Ellen Bryant Voigt, The Flexible Lyric, essays: These eloquent essays celebrate the art and craft of lyric poetry, passionately and astutely revisiting the work of poets from Shakespeare to Bishop. The book is an inspired argument, proving that the making of poems is not just a trade but a calling. (Georgia)

Derek Walcott, Tiepolo’s Hound, poems: Published with twenty-five full-color reproductions of Walcott’s own paintings, Tiepolo’s Hound is a stunning book-length poem that is at once the spiritual biography of Camille Pissarro, a history in verse of Impressionist painting, and a memoir of Walcott’s desire to catch the visual world in more than words. (FSG)

Marilyn Hacker, Squares and Courtyards, poems: Precise, haunting, elegant, and elegiac, Hacker’s ninth volume celebrates her community of friends in Paris and New York and their courage as they live with HIV and cancer. (Norton)

DeWitt Henry, Breaking Into Print, an anthology: Collecting first and early stories from Ploughshares by writers who are now literary lights , Henry serves up an invaluable reference for new writers. Headnotes for each story and interleafed shoptalk make this a sparkling commentary on craft. (Beacon)

Mary Gordon, Seeing Through Places: Reflections on Geography and Identity, a memoir: Eight beautiful essays map out the places that have shaped Gordon’s life and writing, from her grandmother’s house to a Cape Cod writer’s retreat to her Manhattan apartment. (Scribner)

Bill Knott, Laugh at the End of the World: Collected Comic Poems 1969- 1999: Knott’s tenth volume gathers three decades of virtuoso poems, showcasing his iconoclastic wit, his unique view of the world, and his fiercely original language, proving Marvin Bell was right when he said that Knott can “twist the neck of syntax until…