Introduction

Introduction

I love poets who bring us to our proper size. Think about taking a picture of a mile-high waterfall, and about that little human figure you need in the shot to suggest the magnitude caught in the image—the tiny person is the scale factor. It isn’t that true scale diminishes the human, but rather that…

Introduction

  "Here’s why I write. Because Poetry begins there where death had not the final word." —Odysseus Elytis   I sent out a call to some poets: friends, acquaintances, and some only known to me by their poems. Inevitably I forgot some, and also I am ignorant of many; forgive me. I asked for submissions…

Introduction

Running throughout this issue, though not by editorial design, is that typically postmodern sense of absence, in so many configurations: in the memoir, for instance, as loss; or in fiction, as the absence of fulfilled desire, the basic plot of a story being that someone wants something and has problems getting it; or in poetry,…

Introduction

As I was writing this introduction, a series of fierce storms began hitting sections of south central Iowa. Several weeks ago, an Iowa town named Parkersburg was completely destroyed, and the media focused on the efforts of the townspeople to contain the disaster. The storms persisted throughout most of Iowa, with extreme winds and torrential…

Introduction

Looking back at the table of contents of an earlier issue of Ploughshares that I guest-edited some twenty years ago, I was surprised by how few of the writers were then discoveries for me. Two certainly were. Their poems had almost nothing in common: her three poems were straightforward & hard-edged; the details came out…

Introduction

I want to send out this issue of Ploughshares in the high spirits of a Saturday morning in late March. I was alone and took a long walk by myself, but I also carried with me this surprising gathering of writers, this sudden congregation of solitaries, some from different countries, a few no longer living….

Introduction

In Ovid’s Metamorphoses, a boy turns into a daffodil, a girl turns into a tree, a husband and wife turn into snakes and slither away together. The fisherman Glaucus, seeing the fish he’s just caught return to life after he’s spread them out on the meadow, eats one of the strange leaves they’re lying on…

Introduction

"World is suddener than we fancy it," Louis MacNeice announced in his poem "Snow": "World is crazier and more of it than we think, / Incorrigibly plural . . ." So I felt, collecting the poems and stories for this issue of Ploughshares. The issue was like the great bay window in MacNeice’s poem, with…

Introduction

For me, these past few years have been filled with elegies. Allow me one more: this, not for a loved one, but for the Plough & Stars, the Cambridge pub where this very journal was founded. Like much of the Cambridge that had welcomed (or ignored) me—a young writer who had come to town fifteen…