1991. A summer storm blows up the coast of Delaware, rearranging the tide on Rehoboth Beach. My husband’s parents take our baby daughter inside, into the house they’ve rented for the week, a box of windows resting on stilts. Released from responsibility, from adulthood, the two of us run into the ocean and give ourselves…
In northwestern Montana once, I met a person who changed my mind. This well-published and respected writer had moved to that frontier university town, to teach a four-four load, and to be, I suppose, left the hell alone. The English departments of frontier colleges (I once taught in such a place) are often staffed by…
I love poets who bring us to our proper size. Think about taking a picture of a mile-high waterfall, and about that little human figure you need in the shot to suggest the magnitude caught in the image—the tiny person is the scale factor. It isn’t that true scale diminishes the human, but rather that…
"Here’s why I write. Because Poetry begins there where death had not the final word." —Odysseus Elytis I sent out a call to some poets: friends, acquaintances, and some only known to me by their poems. Inevitably I forgot some, and also I am ignorant of many; forgive me. I asked for submissions…
Running throughout this issue, though not by editorial design, is that typically postmodern sense of absence, in so many configurations: in the memoir, for instance, as loss; or in fiction, as the absence of fulfilled desire, the basic plot of a story being that someone wants something and has problems getting it; or in poetry,…
As I was writing this introduction, a series of fierce storms began hitting sections of south central Iowa. Several weeks ago, an Iowa town named Parkersburg was completely destroyed, and the media focused on the efforts of the townspeople to contain the disaster. The storms persisted throughout most of Iowa, with extreme winds and torrential…
Looking back at the table of contents of an earlier issue of Ploughshares that I guest-edited some twenty years ago, I was surprised by how few of the writers were then discoveries for me. Two certainly were. Their poems had almost nothing in common: her three poems were straightforward & hard-edged; the details came out…
In Ovid’s Metamorphoses, a boy turns into a daffodil, a girl turns into a tree, a husband and wife turn into snakes and slither away together. The fisherman Glaucus, seeing the fish he’s just caught return to life after he’s spread them out on the meadow, eats one of the strange leaves they’re lying on…
I want to send out this issue of Ploughshares in the high spirits of a Saturday morning in late March. I was alone and took a long walk by myself, but I also carried with me this surprising gathering of writers, this sudden congregation of solitaries, some from different countries, a few no longer living….
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