Nonfiction

Seamus Heaney has been at Harvard University teaching two writing courses during the Spring semester. The interview took place in Cambridge, Massachusetts at Michael Mazur's studio with James Randall and Seamus Heaney seated on a couch, tape recorder between them, and Michael Mazur working on sketches of Heaney for a monotype to be used for…

For more than twenty years now, Gina Berriault has been writing remarkably sensitive and powerful fiction. Her style is lucid, lyrical and very much her own, and she seems to have any number of strategies for breaking your heart. The first Gina Berriault story I ever read, long ago, let me know at once that…

1917-1977 O to break loose, like the chinook salmon jumping and falling back, nosing up to the impossible stone and bone-crushing waterfall – raw-jawed, weak-fleshed there, stopped by ten steps of the roaring ladder, and then to clear the top on the last try, alive enough to spawn and die. Stop, back off. The salmon…

"Kees was a very good poet." "He is an important poet, among the three or four best of his generation." "Within its definitions this is poetry of a major order." "If the air were not so empurpled with bids for the bardic chair, we might hear his voice more clearly." Those who have had the…

For someone like myself, who writes in a language she was not born into, the second language assumes and retains a special fascination. We absorb our first language long before we speak it, and we learn to speak it fluently without ever becoming conscious of the learning process. The second language – in my case…

Consciousness and Community in Adrienne Rich's The Dream of a Common Language: Poems 1974-1977 Adrienne Rich has explored the relationship of personal and political consciousness in her poetry for the past 25 years. She has achieved a new synthesis of private and public experience in her most recent work, The Dream of a Common Language:…

In a world full of mangoes, hurricanes, armchairs and muskrats, how does a poet choose just two things for an original and truthful comparison? How does he select two things that are similar but not too similar? Good metaphors must surprise us by their unexpected combinations but they must still hang together; A must, in…

(Ecco Press, $6.95) This poetry, intelligent and delicately worded, full of hard appraisals, has as its objects and experiences the domestic and traditional: gray '43 pennies, landscapes and eyesight, local wisdom, family history and neighborhood, marriage and children, friends and poetry itself. Her subject is her own vision, intelligent and emotional, in which an exciting…

James Wright. To a Blossoming Pear Tree. Farrar, Straus and Giroux, 1977. 62 pp. $7.95. Edward Kamau Brathwaite. Mother Poem. Oxford University Press, 1977. 117 pp. $6.50. Barry Goldensohn. Uncarving the Block. Vermont Crossroads Press, 1977. 62 pp. No price listed. Jane Shore. Eye Level. University of Massachusetts Press, 1977. 86 pp. No price listed….