It’s mad, but it just might work, he said, and floridly signed his name to The Great Submarine Race. Submarines slumbered in his bloodstream and submarines burbled in shallow slips. The Flying Electrons bore the news around the world on cold white drafts and the news pierced the blue clouds. A man in the square…
I stroll among wounded merchants’ daughters. What to buy? What to wear? The questions dreadless enough. I take them down from their posts. Heart cuff, woodpecker wing, suit-so-sorry. News of the repeating, damned repeating. Circles the sky. Once I tried crooning and fell apart simply. The girls in slit skirts made an art of revealing….
1. His camera absorbing the veld to expose its slow, tectonic motion, to let the inevitable gazelles graze the film as he rests easy, sleeping in emerging wheat . . . 2. Six years they coexisted in his case, symbiotic within silver slivers, as if forsaking faith in days to date in the negative. 3….
for J.L. Thanks for your fan letter—I’ve built a shrine. I was up all night thinking of you up all night studying my use of slant and internal rhyme in A Shoemaker’s Dystopia. By line 317 the scheme I fear is obvious, so I was giddy as salmon at spawn that you found my little…
I’d Really Rather Be / In Authentic City for ukulele and voice Authentic Cowboys, authentic cats. Authentic clowns in paper hats. Authentic mountains, authentic lakes. Authentic clouds, authentic fakes. An authentic breeze luffs the sail, parts the hair on your authentic head. Your life you live authentically, Your death you die, authentic, dead. Call us…
Among the fossil fuels structure stands, clearly: crude, it burns; but refined— into frou- frouiest lace, or the baroquest and most willowy affectation in snowflakes —how ever so much more quickly the flames go. A standing house is a standing invitation to the match, with each gable, twilled turret, or fantastical arch floating on air,…
A bell is gonged, the body of a girl curled up inside it, a town grown wild, dogs sniffing skyward— gong, gong. They listen all night for the girl to fall, her stomach to growl, or is it a foot in a mindless gallop, snorts of delight as the gods take up the virgin-offer, or…
Paint is what it is and what it ain’t. A shape or a shell, when dry, that can make what it was painted on seem extraneous. Like a house— who can imagine the canary-yellow smooth or rough integument slough off? And yet, if it did: if you were to take the supports out (the house…
Simple isn’t it? The way a fugue begins— a voice alone, another, then another— a mass of math and tangle, tumble, flash! stretto . . . Finally solo even dotted God with stars moves out. Nothing moves in.
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