The shift from Eugenio Montale's first three books—high modernist poetry, lyrically intense, elaborately wrought, musically intricate, elliptical—to his last four (Satura, the two Diaries of 1971 and 1972, and the Quaderno di quattro anni) for the translator poses obvious problems, above all of tone and continuity. The late poetry, for instance, is no less dense…
Under the lamplight of a Paris hotel, You read Time on “The Decline of America” While your wife watches the evening news, hoping for comprehension. You remember when you were very poor And made less money than you'll spend on this vacation. You vowed then not to romanticize that time, But your pockets stuffed with…
I must train myself to no longer exist but as a stone lifted and thrown to wherever I land, a new place, a new odor to it and new sound and action surrounding me, all this without the thought of loss, despair, or hope, a preparation for loss. Such a life would be god's, if…
Il grande tetto où picoraient des focs è un'immagine idillica del mare. Oggi la linea dell'orizzonte è scura e la proda ribolle come una pentola. Quando di qui passarono le grandi locomotive, Bellerofonte, Orione i loro nomi, tutte le forme erano liquescenti per sovrappiù di giovinezza e il vento più violento era ancora una carezza….
They stroll in and out of the haze of time. Peering at the fractured light of the Impressionists, Not single selves but consolidations Of memories, flickering among brush strokes. And you in a rowboat in the Fifties, Squinting at picnickers at Bethesda Fountain. Above them, bicyclers hunched over and unafraid Race into Harlem, their bodies…
I live with my contradictions intact, seeking transcendence but loving bread. I shrug at both and from behind the summer screen I look out upon the dark, knowing death as one form of transcendence, but so is life.
Un tempo tenevo sott'occhio l'atlante degli uccelli scomparsi dalla faccia del mondo opera di un allievo di David ch'era fallito nel genere del quadro storico o in altre monumentali prosopopee pittoriche. Riflettevo su simili ipotetici atlanti di vite senza becco e senza piume da millenni irreperibili, insetti rettili pesci e anche perché no? l'uomo stesso…
Over the Museum of Deportation, six Young violinists and two cellists play A waltz of Strauss, while German tourists dance. Why not? It's fin de siècle France, And having grown middle-aged and tired, you Can live with their Jawohls! for, at least, tonight. Behind you, students lick colorful sorbets, Lovers dance drunkenly, stumble to the…
My friend April Fallon tells me that blood on the exterior of the brain is cooler than that in the interior and that it's in the cooler blood that dreams reside. What do you think? Do you love the head as much as I do? That calcareous shell, the stoniest part of the body. And…
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