The Critic
The “texts” hang from her jaws like bags of feed— The one end chews; the other drops its pile. The nameplate on her door reads, or should read: “World's Largest Overstimulated Child.” Like Pegasus, she takes the “aerie” view— (Whose work holds interest if her own cannot?)— And trundles down the runway, lifts—(Mon Dieu! The…