Poetry

  • Trinity Street

    It stands like a resentment. The mind's city unfolded to a huge, discordant image. Recollection closes in on the ancient buildings, the fractured curbs, and in all the places you might have known, women walk in the opposite direction. Onward to their first novel, the fictional release. I look through a great eye, seeing more…

  • The Land of Fuck

    “Here I was begging the Muse not to get me in troble with the powers that be, not to make me write out all those ‘filthy’ words, all those scandalous, scabrous lines, pointing out in that deaf and dumb language which I employed when dealing with the Voice that soon, like Marco Polo, Cervantes, Bunyan…

  • Siqueiros: Our Countenance

    Like through a telescope Planted in a fresh grave, I see through your nostrils, Darkly, the more distant past. Stubborn your horse skull That knows of the price on its head. Like a plate empty for days We stretch our hands out of the frame. A bloody yoke swims through The egg white of the…

  • The Fiddle

    It was made to play by itself over telephones on ears that had receivers on clotheslines, on steeplechase frenzy of the tight road, for strings are made of the human kind, hands, and the bowels of music which stretch from the fingers, and into a mother's hair. You can cut the hair so short on…

  • The Wolf

    In winter the wolf lets its hair grow thicker. Thick as a bush unaware of its thorns. And the coat grows darker, the way the meaning of a shadow falls deeper into the darkness of the mind and fear starts its own season. Then the wind sharpens the wolf's teeth the way hunger does. A…

  • Laughing Africa

    Nights in the barn, the clean astringence of urine steaming into the tendrils of a dungfire, the cattle sleeping their own way, and me mine, despite the puppies tied to the housepost, their lean mother snapping, the only      window stuffed with straw. To keep out snakes? No. Reic shifts at watch. To block the cuckold's…

  • Photographic Conversations

    for Roy De Carava For a boy on the street in 1920 you don't need art supplies, some colored chalk for hopscotch, the pigeontoed balls of the feet. At the Guggenheim you don't figure a white dress on a black woman's wedding day is really subject matter for the Family of Man, but she enters…

  • My Name Is Snow

    I want to report to you that in my name, SUE ANN OWEN, I have found the word SNOW. I can also spell out without much trouble the animals that dare to live there, SWAN, EWE, and that old SOW, though the SNOW makes it quite cold for them. This is not to mention the…

  • Under Mounting Pressure

    “O Marcel,” she says to me, “O Marcel, do you know the way out of this pool? I am very tired of swimming about here.” A gale from her shoulder left me in dishabille. I was in dishabille anyway as I was just back from the kaleidoscopic society. I was just there to salute her…