In our Roundups segment, we’re looking back at all the great posts since the blog started in 2009. We explore posts from our archives as well as other top literary magazines and websites, centered on a certain theme to help you jump-start your week.
If Grease has taught us anything, it’s that summer is the time for lovin’, and if your inbox has taught you anything, it’s that wedding season is upon us. Here’s a roundup of posts about the often volatile, sometimes emotional, and ever dynamic relationships between writers, readers, and work.
“…you’re getting this letter because you put yourself out there. Read it, think about it, and put yourself out there again,” advises Eric Weinstein in What Rejection Means to Me.
“Those first pages help me decide if the book and I would make a great couple. Do I want to take it out for coffee or tea?” muses Thien-Kim in “When Do You Break Up With Your Book?”
“Whether it is fatigue, disgust, or something in between, the breakup is because something is broken between the author and the reader,” directs Robin Bradford in It’s Not Me, It’s You: Breaking Up With An Author.
Remember, as Chekhov once wrote to a friend, “Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other.”
Nonfiction as a genre confronts the discordance between memory—a slippery, subjective entity that can be the antithesis of truth—and actuality. Roy Peter Clark writes of the “essential fictive nature of all memory.” Mark Kramer and Wendy Call, editors of Telling True Stories: A Nonfiction Writers’ Guide from the Nieman Foundation at Harvard University, write “of…
Is there anything more head-smackingly awkward than asking favors of other writers? You might never have experienced writer’s block in your life, but sit down to compose a 200-word email to the friend you need something from, and find yourself twelve hours later with nothing but a vacuumed carpet. And yet it’s totally necessary. And…