MFA vs. DMV


Can poetry, through its command of sound, represent physical spaces, objects, and movement? Can one describe something—a setting, a object, a person—and also synesthetically render it for the reader?
In the world of fiction, as opposed to the real world and its assumed male passiveness, men must make choices; they are not victims, but the owners of their mistakes.
Catherine Lacey’s new novel questions what people are willing to do to protect their perceptions of peace. The answers may not be surprising, but when history is an endless horror show, why should we expect any different? What good is grace when people give it to themselves?
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