Author: Daniel Peña

Black and white photograph of barbed wire on top of a metal fence

Writing From Exile

Regarding writing in exile within one’s own country, James Baldwin might facetiously ask, “Exiled from which America?” He might invoke W.E.B. Du Bois’ double-consciousness and say, “You should know you were only really a part of it insomuch as you could see out of your own eyes and perceive, at the same time, how they see you and not succumb to that vision.”

black and white photograph of an old railroad track

The Country Inside Your Skin: Reading Old Rendering Plant in the Alamo City

The Alamo is a physical manifestation of Stasi-like doublespeak, a celebration of white mediocrity, white insularity, and the deep need to claim victory at all costs despite thorough defeat—a strategy for decentering truth not unlike the modus operandi of the Trump administration or its lackeys.