Author: Evan Nicole Brown

The Limits and Freedoms of Literary Regionalism: Edward P. Jones and the Other Side of Capitol Hill
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The Limits and Freedoms of Literary Regionalism: Edward P. Jones and the Other Side of Capitol Hill

Edward P. Jones does not represent the Washington D.C. of the mainstream—no national monuments perforating his setting, no overt commentary on policy, no presidential-brand elitism lacing his words. Instead, he simply writes the life of the local everyman and pushes anything beyond that into the background, making excess as distant and flat as a souvenir postcard.

The Limits and Freedoms of Literary Regionalism: Taking the Temperature of Zora Neale Hurston’s Central Florida
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The Limits and Freedoms of Literary Regionalism: Taking the Temperature of Zora Neale Hurston’s Central Florida

Central Florida, sticky with humidity and restless with sea breeze, inspires the temperature of Hurston’s fiction and, in turn, the temperament of her characters. In her 1926 short story “Sweat,” Hurston chronicles the marriage of Delia, a washerwoman, and her unemployed, abusive husband Sykes.

The Limits and Freedoms of Literary Regionalism: John Steinbeck’s Salinas Valley
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The Limits and Freedoms of Literary Regionalism: John Steinbeck’s Salinas Valley

Known for his simplistically powerful writing style, Steinbeck is perhaps known even more widely for his commitment to his hometown of Salinas, California. With this in mind, Steinbeck’s first short story cycle, The Pastures of Heaven, is an ideal entry point, as it is an early example of his interest in diverse characters and events occupying a shared space.