Author: Lara Palmquist

The Words Beneath the Sound: Music Inspired by Literature

The Words Beneath the Sound: Music Inspired by Literature

As Virginia Woolf famously observed, the best writing often begins with a rhythmical “wave in the mind,” an inner tempo around which syntax and diction are arranged, a guiding beat of artistic intuition that, when struck upon, makes it nearly impossible to set down the wrong word. Other writers have similarly expressed the importance of…

“Another Way to Honor the Book”: An Interview with Odette Drapeau
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“Another Way to Honor the Book”: An Interview with Odette Drapeau

Bookbinder Odette Drapeau has been internationally honored for her modern and dynamic approach to what is often considered a traditional craft. To Drapeau, the book is both “a visual and tactile object where the container and content can connect to generate other visions.” While continually experimenting with new concepts that transform her practice, Drapeau also…

Review: SPILL SIMMER FALTER WITHER by Sara Baume
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Review: SPILL SIMMER FALTER WITHER by Sara Baume

How to express the unsayable in language? If there is one shared pursuit among writers, it is perhaps this: to capture an elusive essence, to paint emotion with words. In her debut novel Spill Simmer Falter Wither, Irish author Sara Baume meets this enduring challenge to astonishing effect, adeptly portraying the searing core of loneliness,…

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Interplanetary Postcards: Lessons from the Martian School of British Poetry

Emerging in the late 1970s and already diminishing by the early 1980s, Martianism was a short-lived yet influential movement in British poetry. Principally associated with Craig Raine and Christopher Reid*, it derived its name from the title poem of Raine’s second collection, A Martian Sends a Postcard Home (1979), in which the eponymous alien recounts…

Pursuing Essence through Ambiguity: On Kawabata’s Palm-of-the-Hand Stories
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Pursuing Essence through Ambiguity: On Kawabata’s Palm-of-the-Hand Stories

Among the known instances of writers reworking published material, Japanese author Yasunari Kawabata stands apart for his seemingly untenable decision to turn his acclaimed novel Snow Country (for which, along with Thousand Cranes and The Old Capital, he received the 1968 Nobel Prize) into an eleven-page story. Kawabata completed “Gleanings from Snow Country” just three…

“Uninhibited Openness”: An Interview with Dario Robleto, Materialist Poet
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“Uninhibited Openness”: An Interview with Dario Robleto, Materialist Poet

Conceptual artist Dario Robleto has been aptly described as an alchemist, cultural archeologist, and “raconteur in the ancient way.” By his own definition, he is a “materialist poet”—a term that encapsulates his method of creating sculptural responses to lyrical material lists that mediate on the human condition. From black swan vertebrae to stretched audiotape recordings…

A Gathering of Particulars: On Building a Word-Hoard
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A Gathering of Particulars: On Building a Word-Hoard

It is fitting that the bowerbird roosts in the opening lines of Ted Hughes’s poem “A Literary Life,” for there is perhaps no better mascot for reader and writer both. The species is a known collector, spending the better part of the year building complicated huts from assorted novelties: colored glass and aluminum tabs, bleached…