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Few images are more boilerplate in capturing the parental role of ushering a child towards independence than that of parent teaching a child how to ride a bike—the pushing, the holding, the letting go, the tears. In “Once You Learn, You Never Forget” (Cimarron Review), Anthony Varallo resurrects this image from cliché into a complicated…
Anyone who has owned a cat has at some point looked on it with envy as it slumbered peacefully through the day. How are they so comfortable in their own skin? So clear in purpose, while we humans struggle so mightily to know who we are and what we should do? “Raised by Humans” (New…
Flannery O’Connor wrote, “The longer you look at one object, the more of the world you see in it.” In her second-person flash fiction piece “How to Eat Chicken Wings,” (Tin House/The Open Bar) Kristen Arnett takes a long look at the object in her title, and what’s revealed is a story about overcoming and…
Over the last few years, Vice President Joe Biden has popularized the refrain, “Show me your budget, and I’ll tell you what you value.” As the title suggests, the dark, epistolary comedy “Constant Worth” by Jon Willer (Paper Darts) explores the values shown through personal economics, both in the present and historically. The story begins with…
As the election cycle ramps up, it becomes more and more apparent the many philosophical divisions splitting our country here in the United States. In her story “The We of Me” (The Rumpus), Lucy Jane Bledsoe takes us into a future dystopia where her characters—our descendants—are drawn to transcend the different iterations of those same…
Yuval Noah Harari argues in his book Sapiens: A Brief History of Humankind that much of humankind’s success as a species is owed to its ability to create fictions. Harari focuses primarily on large-scale, societal fictions, say the nation or the corporation. In “Away” (Green Mountains Review), Karin Lin-Greenberg explores our smaller, more personal fictions,…
What constitutes the difference between delusion and imagination? Where does one end and the other begin, or are they related at all? Colette Inez explores these intersections in her story “Stamp Fever” (The Georgia Review), from the perspective of a young boy struggling to overcome family difficulties. Our introduction to the young protagonist comes when he…
The ways in which we humans find our sense of community and identity—nationality, race, religion, class, family etc.—are often also what make connecting with people that don’t share our backgrounds more difficult. Sunisa Nardone’s “Golden Land” (Atlas and Alice) explores the many obstacles facing strangers struggling to connect while awaiting departure from a Bangkok airport. In…
How many words does it take to encapsulate a feeling? An experience? A story we looked at two weeks ago, “Love” by Clarice Lispector, spends just under 3,500 words exploring its title, where Jonathan Franzen’s Freedom takes well over 500 pages plumbing its own. While “Fatherhood” by David Rutschman (Waxwing) is a mere 174 words,…
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