Let’s talk about cover letters. I know, I know: exciting, right? But remember what mom said: first impressions matter. So here’s a piece of advice: keep your letter professional and succinct. A reader and editor wants to know who you are, your publishing credentials (if any), and the name of your submission. What we don’t…
When I see numbers I generally shut down, but I know there’s a whole host of you out there who want to see pie charts, graphs and digits. So if my ranting about pluck and resiliency isn’t enough for you folks, here are the cold hard facts when it comes to submissions to Ploughshares….
In his introduction to the most recent issue of Ploughshares, guest editor Peter Ho Davies says that the thrill he found in each selected story was the sense that it spoke to him alone. But how do you make that happen? We’ve talked about a lot of different strategies to make your stories rise to the top…
Alfred Hitchcock says, “Drama is life with the dull bits cut out.” That is absolutely true for the stories that are being passed on to editors. It is your job to tell the story but get rid of the boring bits. A reader wants to travel seamlessly from scene to narrative bridge and back again….
If there was a magic pill—you know lose weight, no exercise—to beat the slush pile and warm the hearts of editors straight to publication, I’d eat it and then dole it out to all of you. But we all know you have to do the work, show up every day and keep putting it out…
So, we’ve talked about the beginning, the end, pluck, resiliency, and life—and yet here we are, still, wading through the slush pile. How many licks does it take to get to the center of a Tootsie Roll Pop? The world may never know, and how to have a reader pass on your work feels just as…
Note: Following the Marathon bombings, and the subsequent citywide lockdown, we took a conscious decision to keep the blog free of commentary about both—despite several contributors volunteering. A literary journal isn’t the place for punditry or analysis of current events, we decided, and there were plenty of other places to find that if you were…
I’ve said it before: you have to play to win. And I’m sorry to say, in terms of the slush pile, “winning” is a bit of a crapshoot. To rise out of the slush pile you must submit and keep submitting. It’s a numbers game and resiliency and pluck pay off. And there’s the…
Monday morning, two days post-AWP, your 2013 Boston Tote Bag filled with literary swag: postcards, pins, temporary tattoos, and journals. You have a renewed energy. Yes, this is the year. You will submit—over and over again if necessary—and you will get published. For those of you who have never been to AWP or have no idea…
No products in the cart.