The Bittersweet Flavor of Influence
Jonathan Fine’s recently published personal essay asks how one separates one’s own work from all that precedes it. How does one escape the anxiety of influence when influence is literally all around?
Jonathan Fine’s recently published personal essay asks how one separates one’s own work from all that precedes it. How does one escape the anxiety of influence when influence is literally all around?
In Kevin Scott Magruder’s debut novel, humanity faces a temptation as old as Greek mythology: the gift of immortality. A new experimental drug, Amaran, has been released that halts the aging process and cell deterioration. This gift, however, comes with some strings.
It can be easy, under certain circumstances, to imagine that catastrophe is worlds away. Just as it is easy, from the comfort of the East Coast, to relish in the warmer-than-usual winter and pretend like there are no fires consuming the wildlife of Australia or endangering the children of California.
How does one raise a child to be culturally Jewish, to speak Hebrew and find meaning in the familial and ritualistic aspects of the holidays, without going to synagogue, fasting, or talking about Hashem? How can we explain to our son that he can be American but also Israeli?
Our bodies can be instruments, weapons, sources of joy and pleasure and intense turmoil. Two books by Jess Arndt and Ron Dahan explore this, demonstrating all that our bodies can do and signify.
There is a part of King’s iconic novel that has been left out of both of its film chapters (as well as previous adaptations). And while I understand and agree with the filmmakers’ decision to leave it out, I admit I would be awed by anyone who attempted to put it on the screen.
The scale of privilege constantly shifts in Madeline Stevens’ debut novel, fostering a lethal combination of gratitude, jealousy, and resentment within its protagonist.
Reading W.M. Akers’ debut novel is a magnificent experience, but it is uncomfortable, to say the least—the world it depicts, a 1921 version of Manhattan, is not so unfamiliar after all. As fantasy novels often do, the book offers a disturbing allegory for our times.
From the moment children are conceived, we become acutely aware of the fact that they could also die.
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