The Hare by Melanie Finn
Finn gives us an important, comprehensive picture of the stages of a woman’s learning, suggesting that, over time, teachers will be rejected, new ones sought, and the student might herself become a teacher.
Book Reviews
Homo Irrealis by André Aciman
By daring to call forth the irrealis mood, to summon what we usually skitter around and stumble upon, Aciman sets the mood—incurring the awkwardness of doing so, and giving us the chance to realize something it might take a long time to understand.
The Revolution According to Raymundo Mata by Gina Apostol
Gina Apostol’s novel, which demands the reader’s active participation, is filled with both humorous and serious moments, references to itself, as well as political and literary history.
The Hearing Trumpet by Leonora Carrington
Leonora Carrington’s novel revels in inconclusive ideas, surreal reimagining’s, and the peculiarities of human consciousness . . . The novel eludes any whiff of definitiveness, instead layering ideas and questions atop one another like blocks in a Jenga tower. Naturally, Carrington forces the reader to withdraw the first block.
Rest and Be Thankful by Emma Glass
Emma Glass’s stunning second novel is a cautionary tale, revealing the great personal cost that comes with caring for the sick and vulnerable.
Peach Blossom Paradise by Ge Fei
Excerpt: For those who are willing to submerge in an intricate and linguistically sumptuous story, Ge Fei’s new novel offers a rewarding world to explore.
The Age of Skin by Dubravka Ugrešić
Dubravka Ugrešić a formidable and unique cultural critic. She demands that we see deeper, even where we refuse to look.
Bring Me the Head of Quentin Tarantino by Julián Herbert
Herbert’s new collection is an ambitious, generous boon . . . his parody of Tarantino’s style and MacSweeney’s lively translation chart unmarked territory.
Invisible Ink by Patrick Modiano
What makes Modiano’s new novel such an enchanting read is its insistence on the importance of “those spaces where memory blurs into forgetting,” and its glyptic insights into the mechanisms by which forgetting offers up alternative chronologies . . .