The Century’s Quiet Crises
With her third collection, out last week, Éireann Lorsung’s ambition is clear: to conduct a historical audit in poetry of the points of history her life touches.
With her third collection, out last week, Éireann Lorsung’s ambition is clear: to conduct a historical audit in poetry of the points of history her life touches.
Three recent books by poets Valzhyna Mort, Eduardo C. Corral, and Claudia Rankine examine state violence by using violence’s signatures—repetition and accretion—as tools within the text. In these works, post-Chernobyl Belarus, barren American border landscapes, and the minefields of everyday social interactions are scrutinized, again and again.
Jennifer Savran Kelly’s new novel, centered on a genderqueer bookbinder living in New York in 2003, is a story of intimate discoveries.
Eileen Chang’s stories portray love as having a dual nature, often experienced as hot or cold, and they reveal what can happen as people navigate these opposing forces
Throughout his life, the kitchen was the place where truth always found Michael Twitty. It was where he first came out to his mother. Where he first felt kinship toward Jewish tradition. And where he decided to delve as deeply as possible into the culinary history of his ancestors.
What makes Clarice Lispector and Jon Klassen so appealing as storybook writers is that both of them make attempts at creating a world in which children aren’t shielded from complex situations.
“I’ve been thinking about archives of staying and going not so much because they reveal some new, previously hidden insight, but because of the record they leave carved in language and story. Narratives like these flesh out the nuances of living alongside environmental disaster.”
Julie Carr’s 2018 poetry collection is a sort of structure where images, conversations, questions, and all else that is unbearable have been contained.
the end of Shifra Cornfeld’s book, it is up to readers to come up with the missing pieces of the puzzle. Whether this silence is part of Cornfled’s practice of empathy or a silent indictment of her characters’ behavior, what is left unsaid speaks volumes.
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