Death as the Villain in Pet Sematary
Beneath the waking nightmares, reanimated children, and mythological Wendigo, Stephen King’s 1983 novel is about a fundamental and universal experience: grief and the fear of death.
Critical Essays
-
-
The Morning Star and Endings
Karl Ove Knausgaard’s new work compels readers to pay attention to the dissolution of animal life and our reliance on it, to the ends of relationships, to the shortness of the human life span, and to the book’s own looming narrative endpoint. In this novel, all things have an end.
-
The True Cost of Labor
It is well understood by now the heavy toll that coal mining takes on geographic landscapes, their local populations, and the climate, despite practices of environmental remediation. There is also, however, another toll that mining takes—that all labor takes—on our individual bodies and lives.
-
Bless the Daughter Raised by a Voice in Her Head’s Language of the Body
Via the body, Warsan Shire wrenches us into sensuous and traumatic narratives that express hunger for love, rage at violation, the turmoil of illness, and an exquisite wish for restoration.
-
The Entanglement of Church and Family in Revival Season
Monica West’s debut novel exposes the inevitable risks and losses that come along with disentanglement from family and church structures. Her protagonist’s strength, coming-into-power, and voice are compelling, but they are costly.
-
The Agency of Men in The Atmospherians and How to Kidnap the Rich
In the world of fiction, as opposed to the real world and its assumed male passiveness, men must make choices; they are not victims, but the owners of their mistakes.
-
The Liminality of Life and Death in Seán Ó Ríordáin’s Poetry
Poetry as life and death—may I term this struggle as survival? Seán Ó Ríordáin, the Irish poet whose oeuvre elucidates this limbo, looks no further than to the interaction of light with dark to explain this compulsion for the letter as both cure and curse.
-
Making Men and Myths in Mario Vargas Llosa’s The Storyteller
Storytelling is foundational to our concept of ourselves, with personal narratives—those we speak aloud and those we tell to only ourselves—defining the shape of our lives and casting us in various roles as circumstances demand: champion or victim, villain or avenger.
-
Bernadette Mayer’s Deconstructed Sonnets
As formalism in poetry and the expectations around gender and family structure have evolved, so have poets’ treatment of it. Bernadette Mayer’s 1989 collection repurposes the idea of the volta in experimental sonnets to demonstrate that clear resolution in life rarely exists,
especially in matters of love and relationship.
