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A few weeks after the release of his memoir, Sherman Alexie cancelled the second half of his national book tour. “I have been rebreaking my heart night after night,” he explained. Writing about pain had become a process of inflicting it on himself.
Beneath the waking nightmares, reanimated children, and mythological Wendigo, Stephen King’s 1983 novel is about a fundamental and universal experience: grief and the fear of death.
Karl Ove Knausgaard’s new work compels readers to pay attention to the dissolution of animal life and our reliance on it, to the ends of relationships, to the shortness of the human life span, and to the book’s own looming narrative endpoint. In this novel, all things have an end.
It is well understood by now the heavy toll that coal mining takes on geographic landscapes, their local populations, and the climate, despite practices of environmental remediation. There is also, however, another toll that mining takes—that all labor takes—on our individual bodies and lives.
Via the body, Warsan Shire wrenches us into sensuous and traumatic narratives that express hunger for love, rage at violation, the turmoil of illness, and an exquisite wish for restoration.
Monica West’s debut novel exposes the inevitable risks and losses that come along with disentanglement from family and church structures. Her protagonist’s strength, coming-into-power, and voice are compelling, but they are costly.
In the world of fiction, as opposed to the real world and its assumed male passiveness, men must make choices; they are not victims, but the owners of their mistakes.
Poetry as life and death—may I term this struggle as survival? Seán Ó Ríordáin, the Irish poet whose oeuvre elucidates this limbo, looks no further than to the interaction of light with dark to explain this compulsion for the letter as both cure and curse.
Storytelling is foundational to our concept of ourselves, with personal narratives—those we speak aloud and those we tell to only ourselves—defining the shape of our lives and casting us in various roles as circumstances demand: champion or victim, villain or avenger.
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