Arc Poetry Magazine : An Interview with Rhonda Douglas, Poetry Editor
I originally met Rhonda Douglas back in 1992, when we took the same creative writing (poetry) workshop at the University of Ottawa, conducted by Ottawa writer Mark Frutkin.
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I originally met Rhonda Douglas back in 1992, when we took the same creative writing (poetry) workshop at the University of Ottawa, conducted by Ottawa writer Mark Frutkin.
It’s hard to know where to start in describing the many ways that Mahogany L. Browne has given to the poetry community, and more broadly to the current cultural moment.
The poems in Allison Joseph’s recent chapbook Mercurial are wise and clear-eyed, charting moments of tenderness and emotion in everyday life. Her work encompass a number of different themes—from personal and family history, to self-image and style—and embody formal approaches as well as conversational yet musical free verse.
Matthew Burnside is a writer and educator. He is currently working on a collection of science fiction stories and a series of young adult adventure novels.
Chronicle of the Murdered House is certainly Cardoso’s best-known work, and also a bold one, in that it is not the most accessible of books. So it is both an obvious starting point, and a difficult one. Perhaps that is why it has taken to so long to bring to readers in English.
In the two weeks since Donald Trump’s election, people from around the country, and from all walks of life, have been debating each other online. How exactly did Trump get elected?
Eric Moe is a pianist with a penchant for eclectic harmonies, provocative rhythms, melody lines that curl and cling to the listener’s ear. He’s also developed, over the course of a rich career, a kind of perfect pitch for incorporating text to music.
C. Dale Young’s poems explore themes of personal transformation and self-discovery, delving into what binds people together and pulls them apart. His carefully crafted poems balance strong emotion with formal precision.
Originally founded by Robbie MacGregor, Megan Fildes and Nic Boshart, Invisible Publishing released its first fiction titles in Spring 2007, and “has come to include works of graphic fiction and non-fiction, pop culture biographies, experimental poetry, and prose.” Formerly the managing editor at Coach House Books, Leigh Nash joined the Invisible’s board in 2015.
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