Poetry

How We Represent: A Review of FOUR FROM JAPAN: CONTEMPORARY POETRY & ESSAYS BY WOMEN
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How We Represent: A Review of FOUR FROM JAPAN: CONTEMPORARY POETRY & ESSAYS BY WOMEN

Four From Japan: Contemporary Poetry & Essays by Women is an anthology rooted in a specific time and place. No, that place is not Japan, nor is it the respective eras from which the four poets emerged. The time and place of which I’m thinking is New York City, 2006, the setting in which Poets…

“Sometimes she is a space” : Janice Lee’s Reconsolidation: Or, It’s the ghosts who will answer you
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“Sometimes she is a space” : Janice Lee’s Reconsolidation: Or, It’s the ghosts who will answer you

Taking up the mantel of memory and elegy is no easy task, but Janice Lee’s new book Reconsolidation: Or, it’s the ghosts who will answer you embraces the ghosts. The text is not so much a reflection on writing, loss, memory, and death, but a twisted projection of those topics. The medium is under as…

Review:  LIFE IN A BOX IS A PRETTY LIFE by Dawn Lundy Martin
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Review: LIFE IN A BOX IS A PRETTY LIFE by Dawn Lundy Martin

Life in a Box Is a Pretty Life Dawn Lundy Martin Nightboat Books, 2015 Poetry | $15.95 104 pages, 6 x 9 in Buy: Paperback Dawn Lundy Martin’s two previous collections, A Gathering of Matter / A Matter of Gathering (2007) and Discipline (2011), were remarkable both for the rigor of their investigations of identity…

“The dead do not cease in the grave” : Srikanth Reddy’s The Voyager
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“The dead do not cease in the grave” : Srikanth Reddy’s The Voyager

Why do we erase? We make mistakes. Or, different words demand emphasis. Or, we want to return to the beginning. In creating a poem out of erasing another text, we ask questions of the text itself, but we also open up an analysis of silence. The Voyager is an erasure poem by Srikanth Reddy that…

Reading as Intoxicant, Part I: Neurochemical Qualities of the Modern Manic Page Peeler
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Reading as Intoxicant, Part I: Neurochemical Qualities of the Modern Manic Page Peeler

Richard Wright once wrote that reading is like a drug. Countless other authors have written some variation of that same assertion. If you’ve ever found yourself crushed in a corner weeping like a crazy person because the end of your latest literary fixation was fast coming to a close, or buying more books than you…

Review: THIS IS THE HOMELAND by Mary Hickman
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Review: THIS IS THE HOMELAND by Mary Hickman

This Is the Homeland Mary Hickman Ahsahta Press, May 2015 80 pages $18.00 Buy book Mary Hickman’s first volume of poetry begins dazzlingly with “Joseph and Mary,” a poem carved out of Joyce’s Ulysses. Whether this was done by dramatic erasure or by mosaic-like re-arrangement of fragments is hard to say, but however it was accomplished,…

“We licked the dictionary off each other’s faces” : Bhanu Kapil’s Humanimal: A Project for Future Children
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“We licked the dictionary off each other’s faces” : Bhanu Kapil’s Humanimal: A Project for Future Children

What’s wrong with being raised by wolves? In Humanimal: A Project for Future Childen, Bhanu Kapil investigates “the true story of Kamala and Amala, two girls found living with wolves in Bengal, India, in 1920” (ix). But unlike a crowd drawn to witness a re-enactment, Kapil’s book instead involves “trying to see it” (17) and…

“If I could I would cut off my lovers’ heads” : Eunice De Souza’s Nine Indian Women Poets
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“If I could I would cut off my lovers’ heads” : Eunice De Souza’s Nine Indian Women Poets

“Anthologists invariably make enemies,” Eunice De Souza notes in her introduction to Nine Indian Women Poets. This anthology is unlike most anthologies, as De Souza takes up her editorial role to rally against universality, mapmaking, and flattery. De Souza isn’t seeking to make enemies, but she realizes that all choices for anthologies suggest other choices:…