Reading

The Best Short Story I Read in a Lit Mag This Week: “Fiddlebacks” by Kimberly King Parsons
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The Best Short Story I Read in a Lit Mag This Week: “Fiddlebacks” by Kimberly King Parsons

The games children play can tell us a lot about ourselves as human beings, regardless of whether we attribute the inspiration behind them more to nature or nurture. In “Fiddlebacks” (New South), Kimberly King Parsons makes good use of the games played by three siblings, exploring what they reveal about the hidden fears and desires…

On Building Believable Characters in Fiction
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On Building Believable Characters in Fiction

Before I picked up a copy of Offshore last month, it had been years since I read Penelope Fitzgerald, a British author who didn’t start writing until she was in her sixties. But the characters in this Booker Prize-winning novel caught my attention and I soon became completely emerged in Fitzgerald’s cleverly constructed world. Set…

Pictures of a couple of rows of books on a shelf.
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The Best Poem I Read This Month: Sade Murphy’s “Entry 098 &/or Monday Night Before Thanksgiving or//Venus & Mars in Libra”

Sade Murphy pauses time in her prose piece(s) “Entry 098 &/or Monday Night Before Thanksgiving or//Venus & Mars in Libra” in DREGINALD. A series of moments—walking down Grand Street, pivoting on Putnam, taking the bus to Greenpoint—become infused with back-and-forth switches of vision, allowing Murphy to double her text. This doubling is literal: two prose blocks appear…

A Midsummer Night's Dream painting
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On Magic

Magic in literature causes problems. It has always bugged me, just a little, that at the end of all the sublime comic mix-ups and supernatural complications in A Midsummer Night’s Dream, we’re left with an imbalance in our two happy couples: one pair has been reunited by the reversal of the fairies’ love potion, and…

The Queen of the Night and Alejo Carpentier’s French Accent
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The Queen of the Night and Alejo Carpentier’s French Accent

In the first chapter of Alexander Chee’s long-awaited new novel The Queen of the Night, the opera-singer protagonist surprises party-goers at a Paris ball by bursting into an aria from Gounod’s Faust. The scene has a scandalous, erotic backstory (too complicated to recount here, but it involves two brothers with a saber fetish) explaining why…

Microphone centered on foggy stage
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Looking Otherwise

We are one month post-“Formation.” In the wake of Beyoncé’s video release (/Super Bowl halftime performance/world tour announcement), a frenzy of reactions and reactions to reactions has proliferated. Only they’re not just reactions, they’re readings. On the immediate surface of the song’s lyrics, “Formation” is about being Black, and crucially also about looking Black, about…