Reading

The Narrowed Divide: Of Stylists, Shape-Shifters, and Multiple Aesthetics

  Our collective understanding of how a story, poem, or essay should operate remains in constant flux; every sentence is a new description of language, every piece of writing, a new commentary on art. In this sense, any shared definition of storytelling is best left unresolved, unless we are to say a story is simply…

Giving, Not Taking: Expectations of Author Interactions

Giving, Not Taking: Expectations of Author Interactions

In 2009, I was at the annual AWP conference in Chicago, heading into a panel session about flash fiction. Coming out of the room from the last session was Audrey Niffenegger who, even without her name tag, would have been distinguishable by her auburn hair. “Excuse me,” I said. “Did you write The Time Traveler’s…

Proxy Narratives: Jennifer Clement’s “Widow Basquiat”

I’m always looking for a stellar book come November. National Novel Writing Month (NaNoWriMo for the uninitiated) is about as appealing of an idea as having a month-long dental procedure and about as equally fun to be around. So, I mostly hide away. I do the opposite of what you’re supposed to do in November—I…

A person holds a piece of glass up which reflects their face in it.
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You’re So Vain, You Probably Think this Post is About You

A friend once asked if I’d based the guinea pig (mentioned, but offstage) in my first novel on his daughter’s imaginary friend (of whom I’d never heard tell). In his defense: they had the same, unusual name. In my defense: ?!@&?#*%? Maybe people want novels to be true. Maybe they want to be in those…